Board and Administration
Composer in Residence
John Wineglass
Sponsored by Valera Lyles
The Monterey Symphony announced the appointment of John Wineglass as Composer-in-Residence. Wineglass collaborated with the Symphony in 2016 for Big Sur: The Night Sun, a massive symphonic work featuring a drum made from a redwood tree (the premiere can be viewed on the Symphony's YouTube channel). He spent time at Glen Deven Ranch in Big Sur, thanks to the Big Sur Land Trust.
This appointment, a new title for the organization, brings with it a new set of responsibilities: creating more music. "We wanted John to continue in the Big Sur theme. The idea of creating new art and new music during this complicated time of shelter-in-place seemed really important," said Symphony President and CEO Nicola Reilly.
Wineglass will work on a Concerto for Violin and Orchestra which the Symphony will premiere in 2022 with Edwin Huizinga as soloist. The creative process will be documented with local filmmaker Doug Mueller capturing the artists at work. Wineglass will again have the opportunity for a residency at Glen Deven Ranch.
"This next Concerto is another part of a series," said Reilly. "We want John to document this moment in time musically, and we want to be essential in supporting that. There are two other projects in the works, which will be announced soon."
ALONE for Solo Violin, Live EFX, & Electronica
by John Wineglass
I. Frenzied Lives
II. Realms of Rest
Live EFX - refers to effects that are triggered Live by the composer John Wineglass during the performance that alter the sound of the instrument.
Electronica or electronic tape - are sounds created outside the realm and means of the traditional orchestral element now used within the traditional genre.
Alone included in the Library of Congress Performing Arts Covid-19 Response Collection
MSO Composer-in-Residence John Wineglass visited the Library of Congress last Friday in Washington DC to discuss the inclusion of two of his latest compositions Alone for Solo Violin, Live EFX & Electronica and Alone Together, as well as the film Alone in the permeant collection of Covid-19 response art at the Library of Congress.
Performing Arts Creative Response to Pandemic
Anyone who investigates the performing arts during this era will encounter many creative responses to the COVID-19 pandemic. This community is creating a wide range of innovative ways to conceive art and share it with audiences, with an equally wide range of motivations: emotional, professional, spiritual, etc. Consequently, the Music Division has undertaken a strategy to capture our nation's cultural heritage in this unprecedented time by establishing the Performing Arts COVID-19 Response Collection. This carefully curated collection amasses artistic works along with any accompanying primary source materials that document the performing arts creative response to the pandemic. Digital works are beginning to arrive, with some manuscript material expected as the division builds this collection over the next few years. MORE INFO
"After the premiere of Big Sur: The Night Sun with the Monterey Symphony back in 2016 to commemorate the centennial of the city of Carmel, I am once again thrilled to partner with and continue to tell and expose compelling stories through the symphonic medium," said Wineglass.
Wineglass received his Bachelor of Music degree in Music Composition with a minor in Viola Performance at The American University and later received his master's degree in Music Composition with an emphasis in Film Scoring for Motion Pictures, Television and Multi-Media at New York University, studying primarily with Justin Dello-Joio of the Juilliard School.
His latest symphonic 2019 premiere of three movements, Unburied, Unmourned, Unmarked: Requiem for Rice was dedicated to the lives of millions and numerous contributions of African and African-American forced laborers who cultivated the immense, expansive, and particularly wealthy rice economy in the Lowcountry. With a libretto and extensive research by historian Dr. Edda Fields-Black of Carnegie-Mellon University, this work has taken them with a team of researchers and film documentarians from the shores of South Carolina to the inner villages of Senegal, Guinea- Bissau and The Gambia. A 2020-2021 (pre-COVID) world premiere of six movements with full chorus in Washington, DC in conjunction with the Smithsonian National Museum of African American History and Culture (NMAAHC) where Dr. Fields-Black has an installation is planned accompanied by the moving images by LA-based filmmaker and director Julie Dash.
BIOGRAPHY
JOHN CHRISTOPHER WINEGLASS has written several scores for shows on MSNBC, CNN, NBC, CBS and ABC as well as documentaries on Headliners & Legends with Matt Lauer for The Brady Bunch, Kathy Lee Gifford and Farah Fawcett. Having scored mainly independent films, several of his nationally syndicated commercials include music for the United States Army, American Red Cross and Texaco as well. As a recipient of three (two consecutive) ®Daytime Emmy Awards for Outstanding Achievement in Music Direction and Composition for a Drama Series, and three ASCAP Film and Television Music Awards, Mr. Wineglass holds seven ®EMMY nominations.
In the classical music genre he has garnered commissions from the Cabrillo Festival of Contemporary Music w/Maestra Marin Alsop to the Kennedy Center Concert Hall, with The Washington Post describing his concert-hall work as having 'iridescent colors in the world premiere of a beautifully crafted suite' while conductor Marvin Hamlisch introduces and congratulates the occasion by commenting '… with a name like Wineglass, it had to be good.'
Wineglass's 'iridescent' (WP) compositions are inspired by the beauty of creation and the splendor of nature - as well as bringing to light social issues of the past and present. Recent commissioned works in the 2018-2019 season alone included four symphonic works – two with full SATB chorus. He has received major commissions from The National Endowment for the Arts, The Pittsburgh Foundation, The Alfred P. Sloan Foundation, The Benjamin Harris Memorial Fund, The Heinz Foundation and the Opportunity Fund.
His latest symphonic 2019 premiere of three movements, Unburied, Unmourned, Unmarked: Requiem for Rice was dedicated to the lives of millions and numerous contributions of African and African-American forced laborers who cultivated the immense, expansive, and particularly wealthy rice economy in the Lowcountry. With a libretto and extensive research by historian Dr. Edda Fields-Black of Carnegie-Mellon University, this work has taken them with a team of researchers and film documentarians from the shores of South Carolina to the inner villages of Senegal, Guinea-Bissau and The Gambia. A 2020-2021 (pre-COVID) world premiere of six movements with full chorus in Washington, DC in conjunction with the Smithsonian National Museum of African American History and Culture (NMAAHC) where Dr. Fields-Black has an installation is planned accompanied by the moving images by LA-based filmmaker and director Julie Dash.
John received his Bachelor of Music degree in Music Composition with a minor in Viola Performance at The American University and later received his master's degree in Music Composition with an emphasis in Film Scoring for Motion Pictures, Television and Multi-Media at New York University, studying primarily with Justin Dello-Joio of the Juilliard School.