ALONE for Solo Violin, Live EFX, & Electronica
by John Wineglass

I. Frenzied Lives
II. Realms of Rest

Christina Mok - Concertmaster
John Wineglass - Live EFX and Electronica

Live EFX - refers to effects that are triggered Live by the composer John Wineglass during the performance that alter the sound of the instrument.

Electronica or electronic tape - are sounds created outside the realm and means of the traditional orchestral element now used within the traditional genre.


SPONSORS

'Alone' for Solo Violin, Live EFX, & Electronica sponsored by the William and Patricia Smith Family Foundation
Concert sponsored by Gary & Carolyn Bjorklund, Bruce & Whiz Lindsey, and Lee & Shirley Rosen


AWARDS, RECOGNITION & COLLECTIONS

Image of OFFICIALWINNER Logcinema Music Film Festival 2021 150 100 20211018145858  Image of 210088701 4699233623439594 8843860552675093326 n 1 150 101 20211018145858  Image of Silver Medal Winner Global Music Awards 2021 1 150 100 20211018145858  Image of OFFICIALSELECTION Sherman Oaks Film Festival 2021 3 1 150 100 20211018145858  Image of OFFICIALSILVERWINNER TIVA Peer Awards Music Original Song 150 100 20211025103519  Image of Video OFFICIALSILVERWINNER TIVA Peer Awards Music Video 150 100 20211025103519  Image of Event OFFICIALGOLDWINNER TIVA Peer Awards Virtual Event Prerecorded 150 100 20211025103519  Image of WobOFFICIALSELECTION SR Socially Relevant Film Festival New York 2022 2 150 100 20220207141955  Image of OFFICIALWINNER Rome Film Awards 2022 150 100 20220311101457  Image of Libraryofcongress2 150 70 20220311101457

Alone included in the Library of Congress Performing Arts Covid-19 Response Collection
The scores for both 'Alone' for Solo Violin, Live EFX & Electronica and Alone Together'  by MSO composer-in-residence John Wineglass, as well as the film of 'Alone' for Solo Violin, Live EFX & Electronica have been curated to be included in the permanent collection of Covid-19 response art at the Library of Congress.

About the Performing Arts Creative Response to Pandemic
Anyone who investigates the performing arts during this era will encounter many creative responses to the COVID-19 pandemic. This community is creating a wide range of innovative ways to conceive art and share it with audiences, with an equally wide range of motivations: emotional, professional, spiritual, etc. Consequently, the Music Division has undertaken a strategy to capture our nation's cultural heritage in this unprecedented time by establishing the Performing Arts COVID-19 Response Collection. This carefully curated collection amasses artistic works along with any accompanying primary source materials that document the performing arts creative response to the pandemic. Digital works are beginning to arrive, with some manuscript material expected as the division builds this collection over the next few years. MORE INFO


POSTER

Image of Alone Posterportrait12x18sm 1 300 450 20220311101457

Visit our Film Freeway Project page HERE


CREDITS

Directed by Douglas Mueller
Lighting Design by Kendal Smith
Video Engineer - Arman Boyles
Audio Engineer - Skylar Kirby
Master Electrician - Chris Stabler
Camera Operator - Pat Fitzsimmons
Flyrail/Dolly Grip - Craig Lowe
Swing - Kyle Gabbart
Graphic Design - Rory Glass
Covid Compliance Officer - Noemi Vera
MSO Staff - Virginia Marine, Nicola Reilly, and Noemi Vera


PROGRAM NOTES

ALONE has been commissioned by the Monterey Symphony for Concertmaster Christina Mok, is dedicated to the many victims of the 2020-21 COVID-19 Pandemic and is premiering at the MSO Balcony Session on February 5, 2021. The Balcony Session Series is a COVID-guideline friendly offering of concerts by the symphony to the community via live-stream during the pandemic and often they are performed pre-recorded or live from the beautiful city of Carmel-by-the-Sea, as a human vigilant reflection during a crisis through art and music. ALONE is comprised of two starkly contrasting movements. The first entitled "Frenzied Lives" explodes at a very rapid 144 bpm (beats per minute) pace indicative of humanity across the globe pre-COVID and then into the perils of a global pandemic - all voiced by a single violin with live electronics intermittently. There would be glimmers of hope - times of possible brilliance - yet brought back to a current dismal reality of isolation, loss, loneliness, suffering and even racial injustice. A longing for common ground but finding no footing... no continuity. Abrupt silences... alone. And while it is important to rise up again to survive, we must codify through art and music these moments - less we forget the lessons learned. With the advent of COVID-19, the second movement entitled, "Realms of Rest" exposes 'alone' time that most of the global community had not experienced in 100 years or so. It was a time to slow down, reconnect with family, losing time - not just in hours but in weeks and months. At one point, I personally couldn't even keep track of days with oftentimes its repetitive motion of just existing - my calendar remaining blank for months. Time during the pandemic for me was an odd ethereal feeling, hanging in the balance in this new normal. While in the first movement, you feel the rushed anguish of being alone in some pretty uncertain times, the second movement in contrast essentially has no tempo - again voiced by a single violin accompanied by electronica and live electronics throughout. I equate this feeling of 'alone' to being in a mother's womb - connected by and surrounded by the embrace of amniotic fluid - YET far away. Close but until birth - an uncertain reality into a new world changed hopefully for the better. And while it was a beautiful time to reflect on humanity for some in all aspects, there was also a 'realm of rest' discovered and experienced by millions who ultimately died 'alone' intubated and eventually meeting their Maker. We all 'go'... we all die. And we all make that journey... alone.

Program notes by John Wineglass