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MONTEREY SYMPHONY WILL PRESENT THREE PERFORMANCES OF HANDEL'S MESSIAH ON DECEMBER 1, 2, 3, 2007

October 18, 2007, Carmel, California: For the first time in twenty-one years, the Monterey Symphony will present a full production of what is arguably the world's most popular choral work, George Frideric Handel's magnificent oratorio, Messiah. Austrian conductor Christoph Campestrini will lead the orchestra, soprano Sharla Nafziger, mezzo-soprano Barbara Rearick, tenor William Watson, bass Michael Dean, and the Monterey Symphony Chorus under the direction of Leroy Kromm.

Single tickets for the Saturday, December 1, 8:00 p.m. performance at Salinas' Sherwood Hall are $38, $28, $18 and $16 students. For the Stage Door Performance at 3:00 p.m. (final rehearsal) tickets are $12 in advance, $15 at the door. Single tickets for the Sunday, December 2, 3:00 p.m. and Monday, December 3, 8:00 p.m. concerts at Carmel's Sunset Theater are $60, $55, $50, $45, and $35—not including Sunset Center's Facility Use Fee. Visa and MasterCard are accepted. Ticket buyers are urged to call immediately for tickets as the likelihood of sold-out performances is great. Call 831-624-8511 extension "0," for exact seat locations.

Distinguished in his field as one of the foremost young conducting talents of nineteenth and twentieth century repertoire, Christoph Campestrini has appeared with many of the world's finest orchestras. In extremely high demand as a guest conductor, he has appeared with more than 70 orchestras on five continents to great critical acclaim.

Mr. Campestrini's recent performances include engagements with the Milwaukee Symphony Orchestra, Houston Symphony Orchestra, Columbus Symphony Orchestra, Calgary Philharmonic Orchestra, Ottawa's National Arts Centre Orchestra, Innsbruck Symphony, Czech State Philharmonic of Brno, and the Bruckner Orchester Linz. He made his debut with the London Symphony Orchestra in 1998 at the Barbican Center in a program broadcast by the BBC. He has led tours of the chamber orchestra of the Vienna Symphony Orchestra.

Born in Linz, Upper Austria, Mr. Campestrini moved to New York in 1985, where he received his Bachelor of Music in conducting, piano and composition from the Juilliard School. Simultaneously, he majored in philosophy and languages at Columbia University. He went on to attend the Yale Affiliate Artist Conducting Program, where he was the only European member selected from the 400 applicants.

Soprano Sharla Nafziger has performed more than sixty works in the oratorio and concert repertoire, appearing with symphony orchestras and choral societies throughout North America.

Ms. Nafziger made an impressive debut at Tanglewood as Nannetta in Falstaff under the baton of Seiji Ozawa, later broadcast on NPR. Upcoming engagements include Vaughn Williams' A Sea Symphony with the Winnipeg Symphony Orchestra and Beethoven's Ninth Symphony with the Vancouver Symphony Orchestra. She is a regular guest of the Bach Festival Society of Winter Park, FL and will return for the 2008 festival to sing Haydn's Creation and Bach's St. Matthew Passion.

Last fall, Ms. Nafziger appeared as Frasquita (Carmen) and Juliette (Die Tote Stadt) at New York City Opera. She also sang Messiah with the National Philharmonic Orchestra (MD) and the Pensacola Symphony, and performed the orchestral premiere of Larry Nelson's Seven Clay Songs with Orchestra 2001 in Philadelphia. This spring she returned to Carnegie Hall to sing Faure's Requiem and Schubert's Mass in G, and sang Brahms' Ein Deutsches Requiem at the Shenadoah Valley Bach Festival. Additional engagements recently include Messiah and Mozart's Great Mass in C Minor at Carnegie Hall with the Oratorio Society of New York, Faure's Requiem with Voices of Ascension (NYC), and Carmina Burana with the Toronto Mendelssohn Choir. She resides in New York City she lives with her partner Anthony Meloni, a noted organ builder, and their daughter, Lia, born April 17, 2006.

Barbara Rearick has earned equal praise for her opera, lieder, oratorio, 20th Century and popular American song performances. Ms. Rearick has recently performed with the symphony orchestras located in such cities as Baltimore, Buffalo, Harrisburg, Kansas City, Wheeling, Spokane, and Houston. In the U.S. her recent engagements include Weill's The Eternal Road with Milken Archive in New York (recorded for Naxos); the title role in the world premiere of Allan Jaffe's The Life of Mary Shelley; Mahler's Symphony No. 8 with Keith Lockhart and Utah Symphony; Britten's Spring Symphony under Jeff Kahane; Brahms Liebeslieder Waltzes with Mark Morris at BAM; Haydn's Paukenmesse and Bach Magnificat with Voices of Ascension; and Bach Cantatas 147 and 200 in the Northwest Bach Festival with Gunther Schuller. Ms. Rearick engagements have included Messiah and Prokofiev's The Ugly Duckling with Baltimore Symphony, Messiah with Houston Symphony and as Maddalena in concert performance of Verdi's Rigoletto with Spokane Symphony. This season, she will be recording Weill's Eternal Road with Milken Archive in Berlin as well as singing Messiah with Pensacola Symphony and Beethoven Mass in C with the Oratorio Society of New York at Carnegie Hall. Barbara Rearick is a native of Pennsylvania and resides in New York City with her husband and five-years-old son.

American tenor, William Watson, has been guest soloist with symphony orchestras throughout the USA and Canada, including those in Chicago, Saint Louis, Montreal, Milwaukee, Cincinnati, and Rochester with such conductors as Sir Georg Solti, Leonard Slatkin, Jesus Lopez-Cobos, Hugh Wolff, Lukas Foss, Mark Elder, and Charles Dutoit. He has also sung with the orchestras of Alabama, Buffalo, Nashville, Dayton, Wichita, Oregon, Jacksonville, Fort Wayne, Monterey, New Jersey, and New York's Orchestra of St. Luke's, with which he made his Carnegie Hall debut. He sang with the Mozart Requiem with the Monterey Symphony in 1998, Clark Suttle conducting.

William Watson has also performed with major opera companies across the United States and Europe, including the Lyric Opera of Chicago, Cleveland Opera, Chicago Opera Theater, Palm Beach Opera, Texas Opera Theater, Pennsylvania Opera Theater, and Central City Opera. In Europe, he performed for two seasons at the Aachen Stadttheater in Germany, the San Sebastian Festival in Spain, and the Europera Festival in France.
In a long association with Chicago's esteemed Music of the Baroque, William Watson has performed a long list of works, including all the major works of Bach; most of the major oratorios of Handel plus his operas, Alcina and Semele; many works of Purcell; the operas of Monteverdi and other Baroque masters; and several works of Mozart and Haydn. William Watson is a visiting assistant professor of voice at the School of Music of Northern Illinois University.

American bass-baritone Michael Dean is in demand worldwide both in concert and operatic repertoire, appearing with the leading opera companies and symphony orchestras of the U.S. and Europe. His powerful voice and commanding stage presence have garnered him wide acclaim from audiences and critics alike, in repertoire ranging from early to contemporary music. Mr. Dean has made appearances at the New York Philharmonic, Pittsburgh Symphony, Hollywood Bowl with the Los Angeles Philharmonic, Carmel Bach Festival, Alabama Symphony Göttingen Handel Festival New York City Opera, de Vlaamse Opera in Antwerp, Glimmerglass Opera the Landestheater in Linz, Arizona Opera, Opera Grand Rapids, Pittsburgh Opera, Opera du Rhin (Strasbourg), Orlando Opera, and the Komische Oper Berlin. Mr. Dean's engagements include Handel's Messiah at Carnegie Hall, as well as in Boston, Ann Arbor and Kansas City; Haydn's Creation at the Kennedy Center in Washington, D.C.; Bach Magnificat with the Toronto Symphony; the St. Matthew Passion with the Phoenix Symphony; Beethoven's Symphony No. 9 in Lansing, MI; and and evening of Bach Cantatas at Disney Hall with Helmut Rilling conducting the Los Angeles Chamber Orchestra.

Monterey Symphony chorus director Leroy Kromm was appointed to his position by former music director Kate Tamarkin in 2001. Mr. Kromm's extensive experience as a professional singer, vocal coach and choral leader, has produced some of the finest collaborations between chorus and orchestra yet presented on the Monterey Peninsula. Thus far, Mr. Kromm has prepared the Symphony Chorus for Bruckner's Te Deum, Beethoven's Ninth Symphony, Orff's Carmina burana, Bernstein's Chichester Psalms, and selections from Elijah. He has been instrumental in designing and presenting the annual holiday concerts in December.

As a baritone, Mr. Kromm has sung performances with Philharmonia Baroque Orchestra, Aspen Music Festival, Anchorage Festival of Music, Harvard University, San Jose and Sacramento Symphonies, and Midsummer Mozart Festival. His opera roles have included the title role in Tartuffe by Kirk Mechem, Figaro in Le Nozze di Figaro and Masetto in Don Giovanni, as well as several contemporary opera productions. Specializing in oratorios of all eras, Mr. Kromm has performed most bass-baritone oratorio roles in concert throughout the United States, most recently singing Christus in Bach's St. Matthew Passion in Ft. Wayne, Indiana. A strong advocate for new music, he has worked directly with some of the most prominent composers of our day including George Crumb, Lou Harrison, Jake Heggie, Kirke Mechem, Ned Rorem, and, most recently, Henry Mollicone—presenting his critically acclaimed Beatitude Mass at Saint Joseph's Cathedral on March 31, 2006. Mr. Kromm is a full-time professor of voice at the San Francisco Conservatory of Music.

The Monterey Symphony Chorus was founded by then music director Clark Suttle in 1990 and led until his untimely death in 2001, Ken Ahrens. Since its beginning, the Symphony Chorus has been a featured ensemble on one or more subscription concerts, all of the annual holiday concerts and on several special occasions.

The Monterey Symphony, under the artistic leadership of Max Bragado, is the only fully-professional orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides triple performances of a seven-concert subscription series at Carmel's Sunset Theater and Salinas' Sherwood Hall, annual holiday concerts, and an extensive youth activities program, including more than 200 visits to classrooms by musicians, which culminates in concerts by the full orchestra for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported, in part, through the fundraising efforts of the Friends of the Monterey Symphony; and grants from The David and Lucile Packard Foundation, The Harden Foundation, The Robert and Virginia Stanton Fund at the Community Foundation for Monterey County, The William and Flora Hewlitt Foundation, The Monterey Peninsula Foundation, The General Endowment Fund of the Community Foundation for Monterey County, The Chapman Foundation, The Communities Advancing the Arts Initiative of the Community Foundation of Monterey County, The McGraw-Hill Companies, Graniterock Company, The Nunes Company, Upjohn California Fund, and many other generous foundations and individual donors.
The next performances by the Monterey Symphony will take place on December 1, 2, and 3, and feature guest conductor Christoph Campestrini conducting music by Beethoven, Schubert, and Brahms. For additional information, please call 831-624-8511 or visit our web site:

www.montereysymphony.org.

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MONTEREY SYMPHONY 62nd SUBSCRIPTION SEASON 2007-2008
Max Bragado-Darman, music director Serving the communities of the Monterey Bay, Salinas Valley, Big Sur, and San Benito County


Concert II

Christoph Campestrini, conductor
Sharla Nafziger, soprano
Barbara Rearick, mezzo-soprano
William Watson, tenor
Michael Dean, bass

Saturday, December 1, 2007, 8:00 p.m., Sherwood Hall, Salinas
Sunday, December 2, 2007, 3:00 p.m., Sunset Theater, Carmel
Monday, December 3, 2007, 8:00 p.m., Sunset Theater, Carmel

PROGRAM

George Frideric Handel Messiah
(1658-1759)


This program will be broadcast on KUSP 88.9 FM on Sunday, December 23, 2007, 11:00 a.m.







Monterey Symphony PO Box 3965, Carmel, CA 93921

Voice
831-624-8511 ext. 0 Fax 831-624-3837

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